Manual Thinking
Manual Thinking invites photographers to move beyond passive documentation and toward a more deliberate, exploratory engagement with their medium. The project proposes that photography is not an instantaneous act, but a sustained practice of observation and interpretation.
This book must embody the idea of manual creation, taking on a handmade quality that considers composition just as much as a photograph would. Simple black and white design system visually balances out expressive qualities of the work.
All aspects of this work were built from scratch; concepting, research, photography, writing, editing, typography, and hands-on construction.
“In creating this project, I’ll have to keep in mind that the manual setting is not as important as the creative thinking that goes into a photo.
Take it as ‘manual thinking’ over ‘manual photography’.
Every camera owner should know that it is not the camera that determines the outcome of the photo, it’s the photographer. I want to emphasize that even the simplest photography methods can be used in different, unconventional ways.
The rules that you learn about photography can be broken.”
was train my eye to dance in the details.
I searched for a great life
until it gripped me
that the most valuable
moments
people
thoughts
are the ones of simple beauty.
Ask me to define beauty and
I will tell you it is anything
in its purest state.
A raw patch of dirt that absorbs any weather
compels me as I turn my head away
from the sensation of the city
to get lost a second longer
and its innocence.
Don’t bother me with your credentials
or press your explanations in words
you memorized for this moment
Don’t puncture my patience
with points of pride.
Show me what drives your hunger
what turns your head
what you strive to be.
Anything proven is nothing of reverence.
Be that patch of dirt
next to the modern marvel
absorbing rain
embracing ice
outlasting every innovation
basking in the sun
as it wakes up your cells
and stirs the world beneath you,
beckoning it to the surface.